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Pontiac Directory 05
Children clapped their hands and ran to meet him; girls greeted him with offerings of flowers; and when he had dismounted, both old and young gathered about him, lisping him a welcome and shaking him by the hand. There was nobody like Dominie Payson, and the love these people bore him, and now gave him so many expressions of, was true and heartfelt. And when he had kissed the children, and exchanged greetings and kind words with their parents, he proceeded into the church, followed by his flock. His sermon was, perhaps, one of the oddest ever listened to, for after returning thanks for the bountiful harvest, and extending on the goodness of God, and advising his flock to stick firmly to their farms and their religion, that being the only true way of getting to Heaven, he turned his guns against Mr. and Mrs. Chapman, though he never once mentioned their names. He urged his flock to keep in mind always how much better off they were, how much more happy they were than those men who came to town with the devil and a number of strange religions in their heads. Such people, he added, always had the devil for a friend; and it was the devil who assisted them to get poor people's money. And with this money they dressed their wives in silks and satins, built big houses, and lived like people who were very proud and never paid their debts, nor did a day's work on the roads. It was all well enough for these men to talk of Heaven and put on pious faces, but Heaven would take no notice of them while they gave themselves up to the temptations of the devil and built steamboats and founded railroads, to kill honest people with, and ruin the country.
In the parish church at Saas-Grund there are two altar-pieces which deserve attention. In the one over the main altar the arrangement of the Last Supper in a deep recess half-way up the composition is very pleasing and effective; in that above the right-hand altar of the two that stand in the body of the church there are a number of round lunettes, about eight inches in diameter, each containing a small but spirited group of wooden figures. I have lost my notes on these altar-pieces and can only remember that the main one has been restored, and now belongs to two different dates, the earlier date being, I should imagine, about 1670. A similar treatment of the Last Supper may be found near Brieg in the church of Naters, and no doubt the two altar-pieces are by the same man. There are, by the way, two very ambitious altars on either side the main arch leading to the chance in the church at Naters, of which the one on the south side contains obvious reminiscences of Gaudenzio Ferrari's Sta. Maria frescoes at Varallo; but none of the four altar-pieces in the two transepts tempted me to give them much attention. As regards the smaller altar-piece at Saas-Grund, analogous work may be found at Cravagliana, half-way between Varallo and Fobello, but this last has suffered through the inveterate habit which Italians have of showing their hatred towards the enemies of Christ by mutilating the figures that represent them. Whether the Saas work is by a Valsesian artist who came over to Switzerland, or whether the Cravagliana work is by a Swiss who had come to Italy, I cannot say without further consideration and closer examination than I have been able to give. The altar-pieces of Mairengo, Chiggiogna, and, I am told, Lavertezzo, all in the Canton Ticino, are by a Swiss or German artist who has migrated southward; but the reverse migration was equally common.
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