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Pontiac Directory 04
Page 10
This school probably got its sentimental inclination, shown in slight forms and tender expression, from France, but derived much of its technic from the Netherlands. Stephen Lochner, or Meister Stephen, (fl. 1450) leaned toward the Flemish methods, and in his celebrated picture, the Madonna of the Rose Garden, in the Cologne Museum, there is an indication of this; but there is also an individuality showing the growth of German independence in painting. The figures of his Dombild have little manliness or power, but considerable grace, pathos, and religious feeling. They are not abstract types but the spiritualized people of the country in native costumes, with much gold, jewelry, and armor. Gold was used instead of a landscape background, and the foreground was spattered with flowers and leaves. The outlines are rather hard, and none of the aerial perspective of the Flemings is given. After a time French sentiment was still further encroached upon by Flemish realism, as shown in the works of the Master of the Lyversberg Passion (fl. about 1463-1480), to be seen in the Cologne Museum.
On January 21st we made a long and tedious march, rising all the time among slippery rocks along precipices, or sinking in swampy mud on the narrow trail. Picturesque waterfalls of great height were visible in volcanic vents, some square, others crescent-shaped, on the face of the mountain. The torrents, swollen by the heavy rains, were difficult to cross, my mules on several occasions being nearly swept away by the foaming current. We sank in deep red slush and in deep holes filled with water, but continued all the time to ascend a gentle but continuous incline. We travelled that day from six o'clock in the morning until six o'clock in the evening, rain pouring down upon us all the time. We were simply smothered in mud from head to foot.
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